My approach to images has grown from a sustained interest in how we see.
I found my way into photography gradually, without a clear intention. What began as a form of curiosity slowly turned into a way of paying attention—of noticing what usually goes unseen. Over time, the camera became less of a tool and more of a quiet extension of how I move through the world.
As my practice developed, that same way of looking expanded into motion. Working with film allowed me to explore time differently, to stay with moments as they unfold. What remains constant is the search for something honest—an image that doesn’t impose, but simply holds.
I approach images as a way of observing, understanding, and holding what unfolds.
The path I’ve followed is the result of sustained practice, where each project has contributed to how I understand image-making.
Over the years, I’ve worked across different contexts, from commissioned projects to more personal explorations. Each experience has contributed to a more precise understanding of how I want to approach images. Rather than following a fixed direction, my practice has evolved through continuity—refining a visual language that remains consistent, regardless of the format or the scale of the work.